Régis Regi
Post-Production Coordinator Screenwriter Editor Curator
From conform on originals for global streamers to curating the underground electronic music of Rio de Janeiro.
↓ Scroll- Years in film & TV
- 08
- Platforms & networks
- 09
- Productions delivered
- 20+
- Areas of work
- 04
About
Three crafts that rarely travel together.
Coordination & post
Across production companies, edit suites and platforms: master scheduling, asset management, conform and quality control to the standard of global streamers, from Bom Dia, Verônica to Paramount+'s first Brazilian original.
Writing & formats
Original formats for Discovery, NotCo and Descomplica, from a live game show to branded content. A Film degree from UFF and a screenwriting specialization from AIC.
Criticism & curation
Writing on prestige television at Medium ex-TV Nerd; music curation and finishing for 50+ recorded sets at Maracutaia.fm, Rio's underground electronic scene.
In the workflow, AI accelerates post: automated transcription and logging, text-based editing, assisted quality control, always in service of the technical standard and of the story.
Timeline · 2018 → 2026
Coordination & post
Writing & formats
Editing & curation
Education · BA in Film and Audiovisual, UFF (2013 › 2017) · Screenwriting specialization, AIC (2021)
Work
-
01
Post-production coordination assistant · Canal OFF
Channel standard,
agency paceI owned the post workflow for the documentary series and lifestyle programming of Canal OFF: deadlines, crew allocation and delivery inside the technical standard of the channel. In parallel I ran editing and finishing for the agency's campaigns for Banco C6, Cerveja Praya and Brasil Surfe Clube, with asset management and process control.
- Documentary series and lifestyle
- Brand campaigns
- 2025 → Jun 2026
Flow management03 campaigns in parallel
-
02
Curation and audiovisual · electronic scene of Rio
Audiovisual
setsI pick the artists, set the aesthetic line of each session and sign off on editing and finishing. From the first episode to the last, one identity, plus the promo pieces that carry the reach of the brand.
- 50+ sets recorded
- Curation, editing and finishing
- 2025 → present
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001 Azo
- · Identidade visual
-
002 Caiao
-
003 Marta Supernova
- · maracutaia.fm
-
004 Rafael Não Existe
Sets recorded live◆ no reino étereo das ondas, maracutaia ressoa -
03
Post coordination · series and features
From the schedule
to final deliveryI coordinated the full post cycle of four productions across series and features, including A Estranha na Cama (Netflix) and Galera FC (TNT), from planning to final delivery. I owned the technical and financial viability of each project: master schedule, budget, variance analysis and resource reallocation, with a standardized pipeline and asset management between executive production and the technical departments.
- 04 productions
- Series and features
- 2025
Galera FC 
Agentes Muito Especiais 
Temporada de Bônus 
A Estranha na Cama -
04
Coordination assistant · Canal OFF
Episode by episode,
at channel standardI organized and supervised post on four Canal OFF series, 32 episodes across documentary and lifestyle, aligning deadlines, crews and deliveries with the channel standard and holding technical and narrative cohesion episode by episode.
- 04 Canal OFF series
- 32 episodes
- 2024 › 2025
É Tudo Delas 
Ninguém Me Domina 
Histórias do Coletivo 
Por Trás do Desafio -
05
Coordination assistant · global streamers
Originals for
global streamingI managed material and deliverable flow on six productions for Netflix, Disney+, Star+ and HBO Max, under international technical standards and hard deadlines. I was the liaison between production companies, edit suites and platforms, anticipating bottlenecks on multi-episode projects and owning technical conform for each spec.
- 06 productions
- 04 global platforms
- 2023 › 2024
Bom Dia, Verônica 
A Magia de Aruna 
Desejos S.A. 
O Lado Bom de Ser Traída 
Luva de Pedreiro 
Isabella: o Caso Nardoni -
06
Post coordination · weekly comedy
The comedy
production lineI ran the operation that put three new sketches on air every week, across multiple platforms, under high demand and critical deadlines: editing, motion and finishing running in parallel, hour allocation per team and a standardized process between creative, production and post. The workflow and quality control reports I built informed the calls on production capacity.
- 03 deliveries a week
- Multiplatform
- 2022 › 2023
Dia da MulherOn air - Script
- Shoot
- Edit
- Post
- On air
- 07
Coordination assistant · Brazilian originals
The first original
fiction on Paramount+On As Seguidoras, the first original fiction production of Paramount+ in Brazil, I conformed materials across every post stage and supervised the creation and integration of the device screens, a central dramatic element of the show. On Coração Suburbano, a documentary starring Rafael Portugal, I organized and conformed materials and standardized deliveries inside the platform deadline.
- 02 productions
- Paramount+ Brazil
- 2021 › 2022
As Seguidoras 
Coração Suburbano -
08
Format writing · 2021
Three fronts,
three audiencesI developed and wrote original formats on three fronts, each with a different audience and editorial bar: educational content with a retention target at Descomplica, brand narrative at NotCo and digital portfolio expansion at Discovery+.
- Development and writing
- 03 fronts
- 2021
-
Descomplica
Educational content translated into audiovisual language, focused on retaining a student audience.
-
NotCo
Food, technology and branding pulled into a single brand narrative.
-
Discovery+
Formats aligned to the editorial line of the channel inside the streaming environment.
-
09
Editing and finishing · Canal Brasil and A&E
Technical finishing,
script polishOn the series 302 and 502, for Canal Brasil, I prepared and technically finished the episodes while holding visual and narrative consistency across seasons, and wrote promos and digital content for social. On Era de Ouro, for A&E, I supported finishing and worked on script and edit refinement with Omelete.
- 03 productions
- Canal Brasil · A&E
- 2019 › 2021
Series 302 
Series 502 
Era de Ouro -
10
Daily writing · live game show
Ten seconds
to answerI wrote Dez Segundos every day: ten questions, ten seconds per answer, three options. Episode structure, questions and interactions designed for the rhythm of live broadcast and to turn study material into entertainment through the final stretch before the ENEM exam.
- Live at 9pm, every day
- Levels 01 › 05
- ENEM 2019
-
11
Editing and finishing · literary podcast
Four years
of listeningI edited and finished the episodes across more than four years, building the sonic identity of the show and holding the same listening standard between seasons, on a project dedicated to amplifying women's voices in literature.
- Independent literary podcast
- More than 04 years on air
- 2018 › 2022
Skills
Editing & finishing
- DaVinci Resolve
- Adobe Premiere Pro
- Technical conform
- Media organization
- Backup solutions
Operations & management
- Master scheduling
- Asset management
- Pipeline standardization
- Workflow and QC reports
- Streaming standards
Content & editorial
- Format writing
- Promos
- Content curation
- Critical and curatorial writing
AI in film & TV
- Transcription and logging
- Text-based editing
- Magic Mask · Voice Isolation
- Assisted QC
- NLP applied to content
Writing
-
Ex-TV Nerd
(opens in a new tab)
A read on the 2010s split by window (broadcast, basic cable, premium cable and streaming), because each one produces under a different logic, and measuring them all with the same ruler is the habit awards and criticism keep repeating. The thesis: elevating TV to art froze a single standard of quality, the expensive production with cinematic language and a marquee name on the credits. Between arguments, the market math: billion-dollar showrunner deals, the $300 million behind The Morning Show and the debt Netflix ran up chasing catalogue.
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Quality TV
(opens in a new tab)
A thesis that turns the notion of quality television inside out. In criticism and in the market the label almost always sticks to drama; here the object is comedy on American pay TV: the history, the concept and the social function of the genre, with HBO at the center for being the channel that consolidated the term in its own institutional discourse. The title carries the provocation: when did comedies become 30-minute dramas?
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The HBO Rupture
(opens in a new tab)
Enlightened (HBO, 2011) as a limit case: a dramedy that exposes the market paradoxes of contemporary pay TV and the cost of sustaining a discourse of differentiation. The article unpacks how the channel built a brand on “it’s not TV” and what happens when its own product does not fit the ruler it created.